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GEORGE HARRISON ANTHOLOGY
Guitar Recorded Version
A comprehensive collection of over 25 of Harrison's best songs,
including: All Things Must Pass All Those Years Ago
Got My Mind Set On You Here Comes The Sun My Sweet
Lord When We Was Fab While My Guitar Gently Weeps
and more.
$19.95 (US)
Inventory # HL 694798

 

BEST OF THE BEATLES FOR ACOUSTIC GUITAR
Signature Licks
by Wolf Marshall
Learn the trademark acoustic guitar elements of rock's most
influential band! This book/CD pack by guitar dean Wolf Marshall
provides in-depth analysis of 21 songs, including: Across the
Universe · And I Love Her · Blackbird · Girl
· Here Comes the Sun · Hey Jude · I Will
· I've Just Seen a Face · Julia · Norwegian
Wood · Rocky Raccoon · Til There Was You ·
Yesterday · You've Got to Hide Your Love Away ·
and more
$19.95 (US)
Inventory # HL 695453
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Remembering George
George Harrison hated school in Liverpool. He picked up the guitar
as a teenager and then met an older kid named Paul McCartney on
the bus. If it wasn't for that, the history of pop music might
be very different today. But as it was, even though George dropped
out of school, he soon found his band on the road to stardom,
first as the Quarrymen, then the Silver Beatles, and then, of
course, the Beatles. George was too young on their first trip
to Hamburg and they got sent back. Not that it mattered, for they
were soon packing the Cavern Club and every other venue they played.
And even though he dropped out of school, he discovered that he
had a thirst for learning - a thirst that led him on journeys
of self discovery in distant lands.
George hated Beatlemania too. By 1965 the Quiet Beatle (though
his friends attest that he was quite talkative) had had enough
of the madness. Not that he could really do anything about it
at that point, but the seeds of his future transformation were
already being sown. He met a swami in the Bahamas while filming
Help! who gave him a book which he didn't really read until
a couple years later. He started getting a taste for Indian music,
and picked up a cheap sitar upon which he painstakingly picked
out the melody to John Lennon's "Norwegian Wood" on
that most amazing LP, Rubber Soul, the album that marked
the Beatles' transition from pop sensations to something much
deeper.
George was the lead guitarist, and songwriting didn't really
come easy to him at first. He explained it by saying that some
people, like Paul and John, viewed songwriting as a craft, but
for him, it was expressing something that he was feeling at that
moment. Which would explain his very first song, "Don't Bother
Me," written when he was sick in 1963. Okay, not a real gem,
but it was the Beatles, and it rocked. His songwriting developed
fitfully over the years. "Taxman" on Revolver
in 1966 - the album that was really the second half of Rubber
Soul - showed he had some real chops. And he was in league
with the best songwriters in the world; it was no wonder that
some of their greatness rubbed off on him.
His guitar playing? He began in the style of guys like Chet
Atkins and Chuck Berry, playing his big old Gretsch Country Gentleman,
but as the decade progressed he drifted towards the sitar, having
bought a good one in India, and then received some lessons from
sitar master Ravi Shankar. "Love You To" on Revolver
was the first Beatles tune that he wrote purposely for the sitar.
Later, "Within You Without You" on 1967's Sgt. Pepper's
Lonely Hearts Club Band would be a full-blown Indian music
piece with tablas and everything else, and the haunting lyrics
that began, "We were talking - about the space between us
all" which revealed his new Eastern spirituality. He had
begun meditation (and yoga in an attempt to be able to hold the
sitar without pain) and explained the song as saying that they
"had entered the 'All You Need is Love' consciousness after
the LSD period," that he was getting a little better at the
sitar, and that he was beginning to write songs using unusual
scales.
The sitar thing was not to last, however. He soon realized that
he had started 15 years too late, that there were a hundred other
guys better than him and he was just a beginner, and he was, after
all, a guitarist. But his guitar playing and songwriting were
now infused with the sensibilities of his newfound Indian influences.
The musical world was now changed; Monterey Pop, Hendrix, Cream
- all the new sounds and influences now swirled around him. Hendrix
and Clapton were his friends, and influences. Though he still
received little respect for his songwriting within the band, his
abilities were maturing right along with the rest of them.
On The Beatles, known to history as The White Album,
George brought in Eric Clapton to play the lead on "While
My Guitar Gently Weeps," not just for his guitar playing
but because the presence of a guest in the studio put the others
on best behavior. The song was written after he picked out a book
at random, opened to a random page, and wrote a song about the
words he saw. The words were: "gently weeps."
And then there were those two songs on the Beatles' final album,
Abbey Road. Just as John and Paul were doing, George seemed
to be saving the best for last, or trying to get it all in before
it was too late. "Here Comes the Sun" and "Something"
were instant favorites and became enduring classics, the latter
covered by, and highly praised by, Frank Sinatra - Frank Sinatra,
the same guy who had never concealed his distaste for rock music.
George jumped into his solo career with vigor, now freed to
fill entire albums with his own creations. He was the first solo
Beatle to have a hit, with "My Sweet Lord" in 1970,
the song that would soon cause him no end of legal troubles, for
he learned that he had unintentionally taken the same melody to
the old Chiffons song, "He's So Fine." Through the '70s
he released All Things Must Pass (recently remastered and
reissued), Living In the Material World, Dark Horse,
33 1/3, and Extra Texture, and they produced a few
hits and gems, such as "Give Me Love," "You,"
and "This Song." He looked back on his Beatles days
with humor, as in the Monty Python parody The Rutles, which
he helped create, and with nostalgia, as in his tribute to John
Lennon, "All Those Years Ago," and his late '80s song,
"When We Was Fab."
In the late '80s George formed his own band, a true "supergroup"
of famous artists representing several decades of rock 'n' roll
history. The band, The Traveling Wilburys, was made up of Bob
Dylan, Jeff Lynne (leader of the Electric Light Orchestra), Tom
Petty, and Roy Orbison -- all his buddies. Calling themselves
Lucky, Lefty, Otis, Nelson, and Charlie T. Wilbury (you figure
out who was who), they released a hit album, Traveling Wilburys
Vol. 1, with a couple of successful songs: "End of the
Line" and "Handle With Care." The project had a
definite good-time, relaxed feel to it, as if the guys were just
out to have some fun. Orbison unfortunately died shortly after
the album's release, but the group carried on without him for
their second album, Traveling Wilburys Vol. 3, whose title
begged the question of what became of Vol. 2.
In later years George fled the public spotlight and tended his
garden. Though he survived being stabbed by an intruder in his
own home, he succumbed to cancer on November 29, 2001. In "All
Things Must Pass," George sang:
All things must pass
None of life's strings can last
So - I must be on my way
and face another day.
Now the darkness only stays at night time
In the morning it will fade away
Daylight is good at arriving at the right time
No it's not always going to be this grey.
All things must pass.
-- Barry Houlehen
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